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May

The backyard apple tree gets sad so soon,

takes on a used-up, feather-duster look

within a week.

 

The ivy’s spring reconnaissance campaign

sends red feelers out and up and down

to find the sun.

 

Ivy from last summer clogs the pool,

brewing a loamy, wormy, tea-leaf mulch

soft to the touch

 

and rank with interface of rut and rot.

The month after the month they say is cruel

is and is not.

 

                                ~ Jonathan Galassi

 

"Apple Tree in Blossom" by Carl Fredrik Hill, 1877

“Apple Tree in Blossom” by Carl Fredrik Hill, 1877

At last I can be with you!

The grinding hours

since I left your side!

The labor of being fully human,

working my opposable thumb,

talking, and walking upright.

Now I have unclasped

unzipped, stepped out of.

Husked, soft, a be-er only,

I do nothing, but point

my bare feet into your

clean smoothness

feel your quiet strength

the whole length of my body.

I close my eyes, hear myself

moan, so grateful to be held this way.

 

~ Meredith Holmes

 

Posted in honor of finals week at Chapman University, throughout which the promise of sleep eventually has been ever-present, urging me to finish and finish strong so I can stumble with half-closed eyes to my well-earned reward…

 

Rodolfo Amoedo, 1892

Rodolfo Amoedo, 1892

Pacific Coast Poetry Series, an imprint of Beyond Baroque Books, is seeking first-rate unpublished manuscripts from poets who live, work, or study in Washington, Oregon, or California for its October 2013 release.

The editors of this press are open to various styles and sensibilities but will be looking specifically for strong, accomplished, and affecting writing.  Eligible submissions should be between 48 and 60 pages and must be postmarked by June 7 to be considered.

Beyond Baroque Books was launched in 1998 by Fred Dewey.  It has published fourteen books and several magazines featuring works by Jean-Luc Godard, Jack Hirschman, Diane di Prima, David Meltzer, and many others.

For more information about the series or to review the submission guidelines, visit the website at http://www.beyondbaroque.org.

 

pics01

I’ve watched his eyelids sag, spring open

   Vaguely and gradually go sliding

      Shut again, fly up

With a kind of drunken surprise, then wobble

   Peacefully together to send him

      Home from one school early.  Soon his lashes

Flutter in REM sleep.  I suppose he’s dreaming

   What all of us kings and poets and peasants

      Have dreamed: of not making the grade,

Of draining the inexhaustible horn cup

   Of the cerebral cortex where ganglions

      Are ganging up on us with more connections

Than atoms in heaven, but coming up once more

   Empty.  I see a clear stillness

      Settle over his face, a calming of the surface

Of water when the wind dies.  Somewhere

   Down there, he’s taking another course

      Whose resonance (let’s hope) resembles

The muttered thunder, the gutter bowling, the lightning

   Of minor minions of Thor, the groans and gurgling

      Of feral lovers and preliterate Mowglis, the songs

Of shamans whistled through bird bones.  A worried neighbor

   Gives him the elbow, and he shudders

      Awake, recollects himself, brings back

His hands from aboriginal outposts,

   Takes in new light, reorganizes his shoes,

      Stands up in them at the buzzer, barely recalls

His books and notebooks, meets my eyes

   And wonders what to say and whether to say it,

      Then keeps it to himself as today’s lesson.

 

                         ~ David Wagoner, posted in honor of our dedicated professors on this National Teacher Day

 

"In the Classroom" by Paul Louis Martin des Amoignes, 1886

“In the Classroom” by Paul Louis Martin des Amoignes, 1886

Winds of May

Winds of May, that dance on the sea,

Dancing a ring-around in glee

From furrow to furrow, while overhead

The foam flies up to be garlanded,

In silvery arches spanning the air,

Saw you my true love anywhere?

Welladay!  Welladay!

For the winds of May!

Love is unhappy when love is away!

 

~ James Joyce

 

Miranda from The Tempest by John William Waterhouse, 1916

Miranda from “The Tempest” by John William Waterhouse, 1916

April Midnight

When I discovered this poem, it evoked my relationship with books and the reading I do late at night, after the work is done.  For me, literature is the dancer; I am, of course, the dreamer enjoying its dance, and together we roam the streets of London and beyond…

 

Side by side through the streets at midnight,

Roaming together,

Through the tumultuous night of London,

In the miraculous April weather.

 

Roaming together under the gaslight,

Day’s work over,

How the Spring calls to us, here in the city,

Calls to the heart from the heart of a lover!

 

Cool the wind blows, fresh in our faces,

Cleansing, entrancing,

After the heat and the fumes and the footlights,

Where you dance and I watch your dancing.

 

Good it is to be here together,

Good to be roaming,

Even in London, even at midnight,

Lover-like in a lover’s gloaming.

 

You the dancer and I the dreamer,

Children together,

Wandering lost in the night of London,

In the miraculous April weather.

 

                                       ~ Arthur Symons

 

"Trafalgar Square by Moonlight" by Henry Pether, circa 1865

“Trafalgar Square by Moonlight” by Henry Pether, circa 1865

Autumn House Press is currently accepting entries for its annual poetry, fiction, and nonfiction contests through June 30, 2013.

All full-length collections of poetry 50-80 pages in length are eligible for the poetry prize.  Fiction submissions should be approximately 200-300 pages of any sub-genre (short stories, short-shorts, novellas, or novels) or any combination of sub-genre.  Nonfiction submissions should be approximately 200-300 pages.  All nonfiction subjects are eligible, including personal essays, memoirs, travel writing, historical narratives, and nature or science writing.

The winner in each category will receive publication of a full-length manuscript, a $1,000 advance against royalties, and a $1,500 travel grant to promote his or her book.  For more information and to submit online, visit the website at http://www.autumnhouse.org/contest-submissions.

 

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